Varsham Movie Songs Lyrics

Song 1: MELLAGA KARAGANI.
Singers: S P B Charan, Sumangali
Lyricist: Sirivennela

mellaga karagani renDu manasula dooram
challaga teravani konTe talapula dhwaaram
valapu vaana gaaraalE pamputunnadi aakasam
chinuku poola haaraalE allutunnadi mana kOsam
taDipe taDiki tanatO naDipi harivilluni
vantena vEsina SubhavElaa
ee varsham saakshiga telapani nuvu naake sontam
ee varsham saakshiga kalapani bandham

nee melikalalOna aa merupulu choostunna
ee tolakarilO tala tala naaTyam needEna
aa urumulu lOna nee pilupulu vinTunna
ee chiTa paTalO chiTikela taaLam needEna
mati cheDE daahamai anusarinchi vastunna
jata paDE snEhamai anunayinchana
chali piDugula saDi vini jaDisina biDiyam
taDabaDi ninnu viDadaa

ee varsham sakshiga..

ee penumarugaina ee choravanu aapEna
naa paruvamu nee kanulaku kaanuka istunna
yE chiru chinukaina nee sirulanu choopEna
aa varuNike runapaDipOna ee paina
twarapaDe vayasunE nilupalEnu ikapaina
viDudalE vaddani mudduleyyanaa
mana kalayika chedarani chelimini
rujuvani cheritalu chadivElaa

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Song 2: NUVOSTAANANTE..
Singers: Chitra, Raqeeb Alam, Kalpana
Lyricist: Sirivennela

chinuku ravvalo chinuku ravvalo
chinadaani sambaraana
chilipi navvulo
pancha vanne chilakalalle
vajraala tunakalalle
vayasu meeda vaalutunna vana guvvalo
chinuku ravvalo chinuku ravvalo ..

innaaLLaku gurtochaana vaana
ennaaLLani daakunTaave paina
chuTTamla vastaave chooseLLi pOtaavE
acchamga naatOne nityam unTaananTE
cheyyaara cheeradEsukOna
nuvvostaananTE nEnoddanTaana
nuvvostaananTE nEnoddanTaana

muddulolikE mukku puDakai
unDipOve mutyapu chinuka
chevulaku sanna jookaallaaga
chErukOve jilugula chukka
chEtiki rangula gaajullaaga
kaaliki muvvala paTTilaaga
meDalO pacchala patakamlaaga
vadalaku niga niga nigalanu toDigEla

novostaanante..

chinna naaTi taaliyamla
ninnu naalO daachukOna
kanneeTi sOyagamla
nannu neelaa polchukOna
pedavulu paaDe kila kila lOna
padamulu aaDe kadakali lona
kanulanu taDipE kalatala lona
naalu aNuvula nuvu kanipinchEla

novostaanante..

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Song 3: NACHAVE NIZAMPORI
Singers: Adnan Sami, Sunita Rao
Lyricist: Sirivennela

hoy ….
he nachchaavE naizam pori nuvvE naa raajakumaari
he aajaare raaja jaani lEjaare lEta javaani (2)
andistE cheyyi osaari ekkistaa enugu ambari
saasistE chaalu osaari siddhangaa undi singaari
ayyarE sayyanTundE tayyarai vayyaari

he saradaagaa sarasaku chEri saagistaa sogusala chOri
chaallEddu maaTakachEri dochEddu taLuku tijori
muduraavE maayalamaari muripistE elaa muraari
parichaanE mallepoodaari parigettuku raavE ponnaari
pilichaaDE prEma poojaari veLipOda manasE chEjaari
gunDello kovela kaTTaa koluvunDave dEvEri

he varadallE haddulumeeri vachchaagaa tama dayakOri
suDigaalai niluvuna nimiri egarEsukupotaa naari
daaTostaa siggula prahari chErustaa chukkala nagari
muddullo munchi osaari mabbulo tElchi osaari
maikamlo tooli osaari kaugillo vaali osaari
vahavaare anipinchali vaaTEsi pratisari

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Song 4: NEETI MULLAI
Singers: Sagar, Sumangali
Lyricist: Sirivennela

Neeti mullai…
neeTi mullai… nannu gilli…
veLLipokE … malle vaana…

janTanallE… andamallE…
vunDipOvE… venDi vaana…

tEnela chinukulu chavichoopinchi,
kannula daaham inkaa penchi,
kammani kalavEmO anipinchi,
kanumarugai karigaavaa sirivaana?

nuvvostaananTE… nEnoddanTaanaa…
nuvvostaananTE… nEnoddanTaanaa…

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Song 5: KOPAMA NAPAINA
Singers: Karthik, Shreya Ghoshal
Lyricist: Sirivennela

kOpama naapaina aapava ikanaina
antaga busa koDutunTe nEnu taaLagalana
chaalule nee naTana saagavE iTu paina
entaga nasa peDutunaa longi pOne lalanaa
dari chErina necchelipaina daya choopava kaastaina
mana daarulu eppaTikaina kalisEnaa

O kassumani khaaram ga kasirinadi chaalinka
urumu venaka chinuku taDigaa karagava kanikaaramga
kudurga kaDa daaka kalisi aDugeyyavu gaa
kannula venake karigipOye kalavi ganukaa
nanu goDugai kaase nuvvu piDugulu kuripistaavu
nuvu goDuguna egarEstaave jaDivaana hO

tirigi ninu naadakaa chErchinadi chelimE gaa
manasulOni cheliya bomma cheripina cheragadu ganuka
suluvu ga neelaga marchipOlEdinka manasu viluva
naaku baaga telusu ganaka
yegase ala yEnaaDaina tana kadalini viDichEnaa
vodilEste tirigocchEna kshaNamainaa hO

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Song 6: LONGA VONI
Singers: Tippu, Usha
Lyricist: Sirivennela

hEy.. Langa vOni nEtithO raddaipOni..
singArAni cheerathO siDhankAni..
ninnalA kannEla thullakE ammAyi
chindulE ApagA mulluvEyyani

sarlE gAni.. sattagA pellEipOni..
allarianni..jhantalO chEllaipOni..
mEthani paggamai pattuko prAyAnnni
sonthamai anthamE appagintsani

hEy langa vOni..

oo.. choodu mari dArunam.. eedunElA aapadam
vEntapAde sathruvayE sontha vayyaram
hEy.. OntarigA sOyagam.. EndukalA mOyadam
kalludurr undikadA intha sahAyam..
pustEkatti.. pooschukO kanyAdhanam
hEy hEy.. sisthE katti theerchukO thiyyani ruunam

hEy langa vOni..

hEy.. sOku mari soonitham.. dAnni Ela sAgatam
lEtha naDum thAladunA gAli dumAram
kassumani lakshanam.. choopanidhE dakshanam
jolipade lAlanathO longadu bhAram
hEy.. ittE vacchi allukO icchEvicchi
ArchE theerchi AdhukO gichche gichche..

Langa vOni..

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Song 7: JOOLE JOOLE
Singers: Mallikarjun, Kalpana
Lyricist: Sirivennela

jhoole jhoole jham jham joole
gundelo shankAlonE sudi gaalE
jhoole jhoole jham jham joole
pongeyE dhandanAye shivanEle
vAdante vAde magavAdante vAde
aa rommu choodE aa dhammu choodE
na janma jathagAdE

Ey.. O ….
jhoole jhoole jhum jhum joole
andhEllo chalapatAle thullEle
jhoole jhoole jhum jhum joole
serasakki chindA indE jevarAlE

soodantE kallE adhi tedakida mullE
chukalli penchE choopulE
poovanti vollE pachipAla thallE
Ekillu penche soukulE
nee kougilintA nA kota chEsukuntA
chiru chinukampa chinta ninnu chEra kunda
kannullo dAchukunta.. Ey.. O…

hO.. chinnAri hamsa ishtamaina himsa(2)
letAve nalO nanasa
aha kond anta Asa nee kota dEsa
nee sonthamE ee vArisA
nee thApa ni choosa arE paapam anEsa
ika nee dil bharosa vandhEllo swAsa
nee pEra raa chesa..

DSP’s Interview after Varsham

Who are you indebted to for your success in films?
MS Raju is the man who recognized the talent in me and gave the chance of music direction for Devi film. I was 17 years old then. He helped me realizing my dream of becoming music director. The next highlight in my career came in form of Varsham, which was also produced by MS Raju. I got tremendous appreciation for different tunes given to MS Raju’s NVNV. I am working for MS Raju’s Pournami now.

There are no musical hits from you after NVNV. What is the reason?
Unfortunately the film has to be good for music to get popular. I gave extraordinary work for Sontham film. But the film was bombed and all the efforts put for music has gone in vain. Arya’s music is great and the film is also great. Hence music helped film to increase it’s commercial range. Making film is a team work and the end-result would depend on how good audiences receive the film.

We are not talking about box office fate of the films. We are asking about the quality of music that has gone down after NVNV? What about Andarivadu music. It was not received too well?
There should be right situations for music to blend in the film. There are no situations for any of the songs in Andarivadu and hence they did not blend in. I feel that the songs should become integral part of narration. It worked for NVNV. After that I did not get the sort of films that has blending-in-songs.

Penning lyrics by music directors is bit strange. How did you manage it?
Whenever I compose a tune, I start with some words which are relevant to the situation. And all my songs would start with the words I composed irrespective of who the lyricist is. Let me explain how ‘Chaila Chaila’ song happened in Shankar Dada MBBS. This song is about hero singing a song on love and narrating it as flashback in hospital backdrop. Hence I decided to mix medical related terms with flowery language. If you listen to lyrics, you get words like Gulabi (love), pulse rate (medical), heartbeat (medical) etc. When I composed tune with my own words, Chiranjeevi liked it instantly. He asked me to pen the lyrics. And Jayant also insisted on it. I also added some message in the song as that message would carry lots of weight if Chiranjeevi gives it. I wrote words like ‘Odopovatam tappukadura, chachipovadam tappu sodara’. Chiranjeevi did lots of improvisation to the lyrics. He is the one who added ‘ammailanu champatam neram’ (referring to Vijayawada Srilakshmi’s gruesome murder).

Chiranjeevi suggested you in the 100 days function of Bunny that you should decrease number of commitments so as to give more qualitative output. What is your reaction?
Yes. I am currently being very selective. At present, I am doing only Pournami film. There was a mix up in this year, as NVNV and Naa Alludu which were supposed to be released in September and November respectively got postponed to January. With new commitments in January, things got mixed up.

Whenever I commit a film I ask the producer about the release date so that I could plan backward, as I had to start rerecording a month before release. When the release dates change, my work and schedules get upset. Hence there was a few days delay from me in providing songs to films. Who would reject when you get offers like Bhadra, Bunny and Andarivadu?

The quality of the songs would also depend on how much liberty the producer gives to me. MS Raju gives lots of liberty. He never puts pressure on me.

You seem to be doing music for only big films. Don’t you consider small films?
Oka Oorilo was a small film. In fact I was hospitalized due to fatigue a month back. I got the instruments set up in Hospital to score background music of Oka Oorilo film.

Who is your inspiration to become music director?
I am obsessed with the music of Ilayaraja since I was kid. I think all the music directors who entered industry after Ilayaraja are fans of him. Ilayaraja gave new dimension to rerecording in our films. With his exceptionally good rerecording, he popularized that process.

You seem to be having a limited group of singers in your songs. Aren’t those voices becoming monotonous as your film count increases?
Yes. I feel comfortable with them and they are like my friends. They work during any odd time. But I would like to introduce new singers. I am looking forward for new talents and I will make sure that my next album Pournami will have lots of freshness in terms of voices. In fact, I introduced Malathi in Telugu and see how popular she is now.

I give more preference to hard work than talent. Talent is something inborn. You need to be just lucky to be born talented. But working hard is something which you develop on your own.

How do you manage to excel in singing, dancing, lyrics, music direction and stage performance?
When I am performing on stage, I feel that I am Michael Jackson. When I am scoring music, I feel that I am Ilayaraja. When you assume the position of the best in that field, you would get amazing confidence.

What parameters do you take in consideration while scoring music for a film?
First I look at the six situations I am supposed score songs for. I understand the characterizations of hero and heroine. I also look for locations of the songs and continuity of the locations of the songs with respect to the lead scenes and the scenes that follow later.

How are you doing in Tamil film industry?
I scored for a couple of films called Mayavi and Sachin. The music topped the charts. But unfortunately the results of movies are not encouraging enough. I am doing the remake of Varsham and I plan to use almost all the original tunes in Tamil version as well.

How important is orchestration in scoring music?
If the tune is heart of the song, I feel that orchestration is the body that compasses all the parts. Orchestration is one thing that differentiates one music director from another. Most of the music directors tend to ignore this part. I feel Ilayaraja is the best when it come to orchestration.

Are you planning any pop album?
I did the pop album Mr. Devi before entering films. It was very hard as a teenager for me to promote that album. I waited at the gates of Gemini TV office for 3 months to meet the right guy. But could not get any contact. Fortunately my father Satyanand is a writer in films and Allu Arvind is our family friend. We got Pawan Kalyan to release the audio album of Mr. Devi.

I was fortunate to have such contacts. But there are many youngsters in AP today who want to sing do not get opportunities. Not everybody can enter film’s playback singing. Pop album is an alternative option. But the pop culture here is not developed. Smita has made a difference with her albums by promoting pop culture. But there it needs to be exploited lot further. I am planning to do a pop album very soon. If pop culture catches up with the youth, there would be lots of opportunities for youngsters who want to become singers to do pop albums.

What’s your take on remix albums?
I like remix albums. But I do not want to do them. I might do a remix album of my own popular songs. I already scored remix of Nuvvostanante from Varsham.

Source: Idlebrain

Kerala Monsoon Coming soon

Yaa you heard it right.According to the recent news from IMD of Government of India, Monsoon is coming within 2-3 days. This is the time to chill and dance to the beats of Devi Sri Prasad after a  very hot summer. In this context lets dance in rain and get mesmerized with these songs.

1st of all, we will welcome with Varsham movie, Innallaku Gurthochana Vaana and lets dance.

And next comes up from Kalusukovalani, Udayinchina Suryudini adigaa….

DSP gives some of the best melodies and one of them is Mellaga Taragani from Varsham

Finally we will lead to short song of Neeti Mullai from Varsham